Wednesday, October 21, 2015

Randall Garrett Artwork

Randall Garrett
Examples of My Work

01. Graveyard Swag  (2015)
mixed media installation 
(performance artifacts)
72 x 144 in.

02. Graveyard Swag  (2015)
mixed media installation
72 x 192 x 60 in.

03. Shiva Shakti  (2015)
tempera on digital print
30 x 22 in.

04. The Year of Bleeding Profusely  (2014)
tempera, latex, and collage on canvas 
(performance artifact)
60 x 192 in.

05. The Ever Changing Mandala of Completeness  (2014) (detail)
flowers, earth, and collage on paper
72 x 60 in.

06. To Dissolve Space Into Luminosity  (2013)
latex and collage on canvas (performance artifact)
52 x 52 in.
07. Alleyway Deity  (2013)
enamel and collage on fabric (performance artifact)
72 x 60 in.

08. The Dreamer and the Dream  (2013)
collage on fabric
12 x 9 in.
09. Hot Rod  (2012)
mixed media installation
30 x 72 in.
10. Tabula Rasa Series  (2010)
mixed media and collage on paper
12 x 9 in. ea.

11. Tabula Rasa Series  (2010)
mixed media and collage on paper
12 x 9 in. ea.

12. Tabula Rasa Series  (2010)
mixed media and collage on paper
12 x 9 in. ea.

13. Mandala  (2009)
collage on board
9 x 9 in.

14. Mandala  (2009)
collage on board
9 x 9 in.

15. Primal Rumble  (2008)
collage on board
18 x 14 in.

16. Mahasukha  (2008)
mixed media installation
96 x 192 x 60 in.

17. Salve  (2008)
enamel, collage, and objects on cardboard
30 x 30 x 12 in.

18. All Along the Watchtower  (2003)
mixed media installation
60 x 48 x 48 in.

19. Seven Story Mountain  (2003)
brick, mortar, and stone
72 x 60 x 60 in.

20. Last Dance  (1995)
flag, rope, and fan
144 x 120 x 96 in.

Randall Garrett Examples of Student Work

Randall Garrett
Examples of Student Work

01. Chiaroscuro
digital photograph

02. Radial Balance 
cut paper

03. Line Emphasis 
acrylic and ink on paper

04. Self-Portrait Texture 
digital imaging

05. Fractal 
digital imaging

06. Blended Color 
pastel on paper

07. Space 
acrylic and collage on paper

08. Sustained Gesture 
graphite and charcoal on paper

09. Value 
charcoal on paper

10. Simulated Texture 
pastel on paper

11. CV Dazzle Self Portrait 
collage on paper

12. Line Emphasis 
acrylic and ink on paper

13. Texture and Shape 
acrylic on paper

14. Invented Texture Self-Portrait 
acrylic and digital imaging

15. Invented Texture 
digital imaging and collage on paper

16. Positive / Negative Space 
charcoal on paper

17. Chiaroscuro 
digital photograph

18. Pattern 
digital imaging

19. Line Emphasis 
acrylic and ink on paper

20. Rubin Vase 
graphite and monoprint on paper

Monday, July 27, 2015

Graveyard Swag (performance)

Graveyard Swag (performance)
Bath House Cultural Center, Dallas
July 3, 2015

A performance exploring the subtext of zombie as other, as performative identity and transformation, as loaded revolutionary construct.

  Full Performance Video (7:10)

The Reverend - Randall Garrett
Zombies - Janet Aguirre, Sara Brisby, Raul Rodriguez
Guest Appearance by Peazy - Patrick Patterson-Carroll
Performance Monologue Sequence (2:39)

Sound Improvisation - Thor Johnson and Craig Shropshire
Videography - Brett Ardoin
Video Installation - Michael Morris

Special Thanks to Dwayne Carter and Enrique Fernández Cervantes.
Have a Nice Day (review) (A+C magazine) by Lee Escobedo

"Performance artist and provocateur, Randall Garrett, is one of the unsung heroes of the Dallas art scene, providing opportunity and chance to artists who are looking for first opportunities. Garrett’s work, a scrappy composition of selfies and digital portraits in the main room, accompanied by a planned performance opening night, “Graveyard Swag,” added to the abstraction of a coherent manifesto to “what” exactly is burning and “who” is holding the torch. Incorporating ritual, spiritualism, and the history of storytelling, Garrett’s performance and installation told the 1,000 year old story of sin, death and rebirth."
Witness the Post-Apocalyptic Chaos of Irrational City (preview)
(Dallas Observer) by Lauren Smart

"Randall Garrett sends us through a cracked funhouse mirror with questions of how we build identity, and how we institutionalize labels for those identities."


 Some of the hand-altered posters and graveyard elements in the installation.

Saturday, December 13, 2014

Inferno Suite (performance)

 Inferno Suite

a performance by Randall Garrett (with Reivin Alexandria)
MFA Gallery, Oak Cliff, Dallas

 Inferno Suite performance video
videography by Brett Ardoin
technical support by Patrick Patterson-Carroll

 performance photos by Scott McDaniel

Sitting on the fire escape he looks down, eight floors to the ground below. Concrete, stone and steel, the city, tough and relentless, a lighted neon cross blaring "Jesus Saves" from the street front mission, car horns shouting as traffic rushes to the stoplight, people hurrying along the walk.

Slowly he takes a drag from the cigarillo, the warmth and fire pulling into his lungs. Closing his eyes, he feels the smoke inside balancing out the cool blasts of wind buffeting them high up the city's side. He feels himself falling into a dream now, a place where peace washes over him, of soft grasses and flowing water under a canopy of trees.

She climbs through the window and sits beside him there on the balcony. Forgetting their suffering for a moment she says, "this is kind of nice" and he opens his eyes, looking up at the softness of the sky and beyond. Pouring a sangria over the ice in the plastic cups she hands him one. "To nice" he says, and tips his cup into hers.

 performance photos by Scott McDaniel


Down, down he trudged, hugging the wall of the narrow stone staircase, the abyss looming just beyond. Through thick smoke, exhaust mixed with the tinge of human sweat and rotting waste, the crush of bodies pushing against him, some moving upward, others down, eyes averted each in their own self-made inferno.

A few more steps and there he lost his balance.

Turning in the air as he fell, it all came to him, every suffering he had inflicted on these souls around him, both loved and unloved, all of them. Falling, only a moment yet interminable, he knew it would hurt, and then he hit bottom. Blackness, and all around a fog, lying there on the mix of footsteps and grime.

It was then she came to him, a movement so slight, a gentle touch in this blindness. Grasping, lunging, lost in the foul air he felt himself lifted up and against a firm shoulder and the softness of her skin. Lowering now, he moved in close, enveloped by her as blackness closed in again. 
 performance video projection stills

"Destroy This Temple"

Passed out, feverish for days he lay among the rubble. dishevelled piles of stones around him as though burial mounds from some forgotten war. Eyes convulsing, he dreamt in rapid fire sequence, image upon image, travelling somewhere rapidly, never at rest, never at peace.

A sound among the ruins and he awoke, it seemed into yet another layer of perception. In the shadows, she was there, crouched and slinking towards him. She crawled the last few feet, drew near and mounted him furiously. Plunging into him with a vengeance unrestrained, she leaned in close, as though to steal his breath away. He felt relief give way to fear and panic, as the thrusts turned to violence and obscenity.

Now others came upon them in the darkness, lovers from past lives, themselves in various guises. They joined in, forming a writhing mound among the fallen stones. All the bodies they had ravaged from here to eternity, flailing away at every orifice, as flesh began to tear and blood mixed with come and sweat. He mocked her and turned to move away, but was pulled back into the fray.

Finishing now, they kicked her back and onto him. He screamed yet nothing came out, the weight of those around and on them having expunged the air from his lungs. The mass of flesh continued to move for a time. Some retched now, and gradually all turned back to silence.

Some time later, he began to scratch and claw his way out from under the pile of bodies. Bruised and shaken, his blood mixed with semen, bile and earth, all congealed into a crust upon him. Slowly regaining his senses, he began to break off and pull away chunks of the putrid mud from his skin.

He stumbled now to the quarry, grabbing the last of the kerosene and turned back to the mound of bodies. Approaching, he saw her crawl out and away into the darkness. Without hesitation, he flung the kerosene onto the remnant, struck a match and threw it onto the pile.

A ball of flames rose up and with the dry blast of a furnace, violently threw him back and onto the ground. Burning flesh and bone transformed to huge chunks of ash and sparks as they lifted up into the night sky. Scorched now, he threw the holy books, votives and sacramentals that remained onto the pyre, turned and staggered away into the night.

  performance video projection stills

"Midsummer Stupa Dream (On Impermanence)"

The monks, in sand colored habits, seated themselves in concentric rings rising up the inside of the beehive like structure. At the base and looking up at them, the elder abbot, of indeterminate sex, with a head of shaved stubble, began speaking of the glories of dying in this way, of how nirvana awaited directly on the other side for those who gave themselves willingly to it.

He knew that the only chance to survive was to sit near the top of the hive, where a window afforded an escape if he could not hold his breath. Finding his place, he sat and leaned with the others into a fetal position. The last thing he saw before closing his eyes was the shaved heads of row upon row of young male devotees. Then, the snakelike hiss of gas as all faded to blackness.
In the dark he felt himself lifted up and outside the temple, and stepping out from the darkness quickly stole up the hillside the stupa was built into. By the flickering firelight he saw an old monk directing bhikkus in the disposal of the bodies.

Walking through the aftermath, he pulled the cowl over his face to avoid their gaze. Stepping into a room filled with scattered bodies, he felt the energetic scurrying of a multitude of creatures: ants, grasshoppers, crabs and the like, all devouring each other as they swarmed on the parched ground.

Reaching down, he picked up a grasshopper, and watched as it ate a tiny ant, even as it was being consumed by a much larger one. The creatures began crawling on him and biting his hands and legs. He brushed them away, but then became fascinated by the insistence of their actions, and bevoming still, watched as they continued to swarm.

"Night into Day"

The night opens up under your wheels: black, empty and infinite. A multitude of stars reaching up and out to forever, and inward just as far. You feel your heart open too, like an orchid in the darkness. And then Freddy Mercury, on your Ipod singing "Oh, won't you take me home tonight", just as morning breaks in your rearview mirror. Now colors gather on the horizon: orange, cyan, magenta, and chase the night across the sky, the same as every morning, only this time you're here to see it unfold. So you follow the colors too, as they lead you back home.

"Devil Be Gone" 

C'mon now, get down with the feeling,
C'mon now give in to the feeling,
Isolation, give in to the feeling,
Deprivation, give in to the feeling,
Desolation, give in to the feeling,
Revelation, give in to the feeling,
C'mon now, feeling what you're feeling,
C'mon now, you know what you're feeling,
C'mon now, you're not what you're feeling,
More than a feeling, more than a feeling, more than a feeling,
Devil be gone, devil disappear,
Devil be gone, devil disappear,
(repeat to fade)

"Can't Nobody Rock Me"

Close your eyes, close your eyes, close your eyes.
Can't nobody rock me, can't nobody bhakti,
Can't nobody Chaka Chaka Khan me.
Can't nobody Lakshmi, can't nobody clock me,
Shut me down cock block me.
Only you can rock me, only you can bhakti,
Only you can Lakshmi, Chaka Chaka Khan me,
Clock me, rave me, bathe me, save me,
Can't nobody do me like you, Jesus baby.